Showing posts with label love poem. Show all posts
Showing posts with label love poem. Show all posts

Wednesday, January 25, 2017

The Fire Is All There Is

This Fire

No one loves you more ... more ... more ...    
There were sincere lies everywhere placed directly before
the next step. Does everyone pretend, part of alive
I am proposing words — All structures have crumbled
in earliest death. I’m crossing the yellow sands
It’s so hard to know without relating it, to you
shaping a heart, take hold of me and someone says
I don’t get it! You don’t have to have love,
or you do, which? I don’t think you do; before
the explosion? I was here without it and have been in
many places loveless. I don’t want you
to know what I’m really thinking or do I, before
creation when there might be no “I knew”
Everything one’s ever said not quite true. He or she be-
trays you; why you want to hurt me ... bad
Want to, or just do? Treason was provoked
everywhere even here, by knowing one was one and
I was alone, a pale hue. The sky of death
is milky green today, like a poison pool near a
desert mine. Picked prickly pear fruit and I
tasted it, then we drove on, maybe to Yarnell.
These outposts where I grew up; I didn’t do that
I have no ... identity, and the love is an object
to kick as you walk on the blazing bare ground, where ...    
sentimental, when what I love, I ... don’t have that one
word. This fire all there is ... to find ... I find it
You have to find it. It isn’t love, it’s what?

Monday, June 20, 2016

The Goodbye Notebook

You were lost to me the first moment I set eyes on you. I just didn't know it.

There is a universe where we are together and there is a universe where we are not.

There is a universe where I stroke your hair and give you the sun;
you are happy but 

I am not.

I want the light of the cold blue moon to touch my heart


                   to be loved for my mind and nothing more; it’s okay 
to change your mind.

Tuesday, April 5, 2016

Oh, oh, oh, oh, oh

Life Story

By Tennessee Williams
 
After you've been to bed together for the first time,
without the advantage or disadvantage of any prior acquaintance,
the other party very often says to you,
Tell me about yourself, I want to know all about you,
what's your story? And you think maybe they really and truly do

sincerely want to know your life story, and so you light up
a cigarette and begin to tell it to them, the two of you
lying together in completely relaxed positions
like a pair of rag dolls a bored child dropped on a bed.

You tell them your story, or as much of your story
as time or a fair degree of prudence allows, and they say,
       Oh, oh, oh, oh, oh,
each time a little more faintly, until the oh
is just an audible breath, and then of course

there's some interruption. Slow room service comes up
with a bowl of melting ice cubes, or one of you rises to pee
and gaze at himself with the mild astonishment in the bathroom mirror.
And then, the first thing you know, before you've had time
to pick up where you left off with your enthralling life story,
they're telling you their life story, exactly as they'd intended to all along,

and you're saying, Oh, oh, oh, oh, oh,
each time a little more faintly, the vowel at last becoming
no more than an audible sigh,
as the elevator, halfway down the corridor and a turn to the left,
draws one last, long, deep breath of exhaustion
and stops breathing forever. Then?

Well, one of you falls asleep
and the other one does likewise with a lighted cigarette in his mouth,
and that's how people burn to death in hotel rooms.
 
 
"Life Story" by Tennessee Williams, from The Collected Poems of Tennessee Williams, copyright © 1937, 1956, 1964, 2002 by The University of the South.

Thursday, March 31, 2016

The Endless Return

The Gardener 

 
by Rabindranath Tagore
 
 
An unbelieving smile flits on your eyes when I come to you to
take my leave. 


I have done it so often that you think I will soon return.
To tell you the truth I have the same doubt in my mind.
For the spring days come again time after time; the full moon
takes leave and comes on another visit, the flowers come again
and blush upon their branches year after year, and it is likely
that I take my leave only to come to you again. 


But keep the illusion awhile; do not send it away with ungentle
haste.


When I say I leave you for all time, accept it as true, and let a
mist of tears for one moment deepen the dark rim of your eyes.
Then smile as archly as you like when I come again.

Sunday, March 20, 2016

Kiss me, Touch me, Feel me

Kiss me, touch me, feel me(lipshandseyessmilelaugh).

Tuck me into bed, listen to me, always tell the truth

let me have all of you, drop away your walls, give me the key, only
honesty.

Speak to me, run after me if I leave, never say “no," always say “yes,"
never stop dancing in the rain

Give me a million kisses a second

keep up.

Friday, March 18, 2016

it is so long since my heart has been with yours

it is so long since my heart has been with yours
e.e. cummings
it is so long since my heart has been with yours
shut by our mingling arms through
a darkness where new lights begin and
increase,
since your mind has walked into
my kiss as a stranger
into the streets and colours of a town–
that i have perhaps forgotten
how,always(from
these hurrying crudities
of blood and flesh)Love
coins His most gradual gesture,
and whittles life to eternity
–after which our separating selves become
museums
filled with skilfully stuffed memories

Tuesday, December 8, 2015

Lover, Tyrant, Hero-God, My Achilles

Pallinode, Book 1, Section 8

By H. D.
 
     She is afraid, too. So she needs this protection. She has tried to conceal her identity with mockery, "I am a woman of pleasure." She knows what the Greeks think of her, and here is Greece-incarnate, the hero-god; true, he is shipwrecked; nevertheless, though wounded, he carries with him the threat of autocracy. She has lost caste. He is still Achilles. Or who is she? She says that Helen upon the ramparts was a phantom. Then, what is this Helen? Are they both ghosts? And if she is convinced of this, why does she entreat the flame that Achilles kindled, "let me love him, as Thetis, his mother"? Is she afraid of losing even her phantom integrity? And what of it? Thetis — Isis — Aphrodite — it was not her fault.

     O—no—but through eternity, she will be blamed for this and she feels it coming. She will blacken her face like the prophetic femme noire of antiquity. But it does not work. Achilles is here to impeach her. Why? We must blame someone. Hecate—a witch —a vulture, and finally, as if he had run out of common invective, he taunts her — a hieroglyph. This is almost funny, she must stop him, he is after all, the son of the sea-goddess. She has named Isis, the Egyptian Aphrodite, the primal cause of all the madness. But another, born-of-the-sea, is nearer, his own mother. Again, she thinks of her and reminds Achilles of his divine origin, "O child of Thetis." This is quite enough. Can you throttle a phantom? He tries. The end is inevitable.

                 How could I hide my eyes?
                 how could I veil my face?
                 with ash or charcoal from the embers?

                 I drew out a blackened stick,
                 but he snatched it,
                 he flung it back,

                 "what sort of enchantment is this?
                 what art will you wield with a fagot?
                 are you Hecate? are you a witch?

                 a vulture, a hieroglyph,
                 the sign or the name of a goddess?
                 what sort of goddess is this?

                 where are we? who are you?
                 where is this desolate coast?
                 who am I?    am I a ghost?"

                 "you are living, O child of Thetis,
                 as you never lived before,"
                 then he caught at my wrist,

                 "Helena, cursed of Greece,
                 I have seen you upon the ramparts,
                 no art is beneath your power,

                 you stole the chosen,
                 the flower of all-time, of all-history,
                 my children, my legions;

                 for you were the ships burnt,
                 O cursèd, O envious Isis,
                 you — you — a vulture, a hieroglyph";

                 "Zeus be my witness," I said,
                 "it was he, Amen dreamed of all this
                 phantasmagoria of Troy,

                 it was dream and a phantasy";
                 O Thetis, O sea-mother,
                 I prayed, as he clutched my throat

                 with his fingers' remorseless steel,
                 let me go out, let me forget,
                 let me be lost . . . . . . .

                 O Thetis, O sea-mother, I prayed under his cloak,
                 let me remember, let me remember,
                 forever, this Star in the night
 
 
Hilda Doolittle, "Pallinode, Book 1, Section 8" from Helen in Egypt. Copyright © 1961 by Hilda Doolittle.  Reprinted by permission of New Directions Publishing Corporation.


Source: Helen in Egypt (New Directions Publishing Corporation, 1961)

Thursday, November 19, 2015

The Expiration

The Expiration

By John Donne

 
So, so breake off this last lamenting kisse,
    Which sucks two soules, and vapours Both away,
Turne thou ghost that way, and let mee turne this,
    And let our selves benight our happiest day,
We ask’d none leave to love; nor will we owe
    Any, so cheape a death, as saying, Goe;

Goe; and if that word have not quite kil’d thee,   
    Ease mee with death, by bidding mee goe too.
Oh, if it have, let my word worke on mee,
    And a just office on a murderer doe.
Except it be too late, to kill me so,
    Being double dead, going, and bidding, goe.  

Monday, November 16, 2015

Lethe

Lethe


Come to my heart, cruel, insensible one,
Adored tiger, monster with the indolent air;
I would for a long time plunge my trembling fingers
Into the heavy tresses of your hair;
And in your garments that exhale your perfume
I would bury my aching head,
And breathe, like a withered flower,
The sweet, stale reek of my love that is dead.
I want to sleep! sleep rather than live!
And in a slumber, dubious as the tomb's,
I would lavish my kisses without remorse
Upon the burnished copper of your limbs.
To swallow my abated sobs
Nothing equals your bed's abyss;
Forgetfulness dwells in your mouth,
And Lethe flows from your kiss.
My destiny, henceforth my pleasure,
I shall obey, predestined instrument,
Docile martyr, condemned innocent,
Whose fervour but augments his torment.
I shall suck, to drown my rancour,
Nepenthe, hemlock, an opiate,
At the charming tips of this pointed breast
That has never imprisoned a heart.

~ Charles Baudelaire

Friday, October 23, 2015

A Love Song

Love Song

By William Carlos Williams 


 
I lie here thinking of you:—
 
the stain of love
is upon the world!
Yellow, yellow, yellow
it eats into the leaves,
smears with saffron
the horned branches that lean
heavily
against a smooth purple sky!
There is no light
only a honey-thick stain
that drips from leaf to leaf
and limb to limb
spoiling the colors
of the whole world—
 
you far off there under
the wine-red selvage of the west! 
 

Source: William Carlos Williams: Selected Poems (The Library of America, 2004)

Wednesday, September 23, 2015

The Oracle of Delphi Advises: "Know Yourself"

"Delphi"

HIS SONG

Now I know
there is no before
nor after,
that all escape lies in the perfect
       contour;
now I know that the tale of his lust
is lies,
his allure has outwitted the flesh,
his lust
is pure-lust of the eyes
for beauty
in tangible things;
his words
fly with wings;

now I know
that all who have spoken ill,
who imperil
and threaten the god,
are holding their souls to the mirror,
light threatens, is active, is gone,
so it is with a song;

are you strong?
he is strong;
are you weak?
he prevails--but not you
to question
his power when you falter,
the blame is your own;
he knows not remorse nor repents,
he remains

faultless and perfect and whole;
he is;
you may burn,
you may curse,
you may threaten,
you may pour out red-gold on his
       altar,
he comes to no call,
not to magic,
nor reason;

his word
is withdrawn,
hieratic,
authentic,
a king's,
yet all may receive it;
he turns at a whim,
who answers no threat,
no call of the flute,
no drum-beat of the drum,
you may bargain
and threaten,
the prophet
is distant and mute;

yet one day
he will speak
through a child or a thrush
or a stray in the market;
he will touch
with the arm of a herdsman
your arm,
he will brush
with the lips of a brother
your lips;
you will flame into song,

that no merchant can buy,
that no priest can cajole;
he is here,
he is gone.

HIS PRESENCE

I foreswore red wine
and the white,
I was whole,
I foreswore lover and love,
all delight 
must come 
I had said,
of the soul;
I waited impassioned,
alone and alert
in the night;
did he come?

I foreswore child and my home;
I said,
I will walk,
to his most distant wood
for his laurel;
I wandered alone;
I said,
on the height, I will find
      him;
I said,
he will come with the red
first pure light of the sun;

I read volume and tome
of old magic,
I made sign and cross-sign;
he must answer old magic;
he must know the old symbol,
I swear I will find him,
I will bind
his power in a faggot,
a tree,
a stone,
or a bush or a jar
of well-water,
I went far
to old pilgrim-sites
for that water;

I entreated the grove and the spring,
the bay-tree in flower,
I was wise on my way,
they said I was wise,
I was steeped in their lore,
I entreated his love,
I prayed him each hour;
I was sterile
and barren
and songless.

I came back;
he opened my door.

HIS RIDDLE

In his power then
a toad,
or a flower,
I asked,
does it wither?
does he rise in the clod?
 does he die?
his riddle is painful,
his coming too facile,
if I serve him,
I lie
for years,
a field fallow
then furrows of rye, of wheat and of 
      barley,
spring up
all too early;

the wheat-ear
and the poppy,
nod, one with the lily,
iris
and anemone;
when my days are lonely,
he shuns me,
when busy,
he crowds through the throng
of my friends and my guests,
remember your vows, he says,
you are priest:

if I kneel at a shrine,
he says,
song is wine.

HIS ECSTASY

He is yours,
he is mine,
if we quarrel to hold him,
he goes;
his the red-lily,
the white-rose;
if you struggle to whet
your stylus,
if you hurry to melt
scented wax
for your tablets,
he knows
no pity;

you will write in the city
of fir-trees and loam,
in the fields
you will sing of the market;
you will be
among prophets,
a satyr;
when the note of the flute
calls to dance,
you will walk
drunk but not
with that mixed wine;
his tune is his own;
in his, not in your time,
ecstasy will betray you;
if he cares,
he will flay; 
if he loves,
he will slay you.



H.D. Collected Poems 1912-1944

Friday, September 18, 2015

Love of My Flesh, Living Death

"Love of My Flesh, Living Death"

By Lorna Dee Cervantes
 
after García Lorca

Once I wasn’t always so plain.
I was strewn feathers on a cross
of dune, an expanse of ocean
at my feet, garlands of gulls.

   Sirens and gulls. They couldn’t tame you.
You know as well as they: to be
a dove is to bear the falcon
at your breast, your nights, your seas.

   My fear is simple, heart-faced
above a flare of etchings, a lineage
in letters, my sudden stare. It’s you.

   It’s you! sang the heart upon its mantel
pelvis. Blush of my breath, catch
of my see—beautiful bird—It’s you.


"'Love of My Flesh, Living Death'" by Lorna Dee Cervantes, from From the Cables of Genocide: Poems on Love and Hunger.

Time Does Not Bring Relief

“Time does not bring relief; you all have lied”

By Edna St. Vincent Millay
 
Time does not bring relief; you all have lied   
Who told me time would ease me of my pain!   
I miss him in the weeping of the rain;   
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,   
And last year’s leaves are smoke in every lane;   
But last year’s bitter loving must remain
Heaped on my heart, and my old thoughts abide.   
There are a hundred places where I fear   
To go,—so with his memory they brim.   
And entering with relief some quiet place   
Where never fell his foot or shone his face   
I say, “There is no memory of him here!”   
And so stand stricken, so remembering him.

Edna St. Vincent Millay, “Time Does Not Bring Relief” from Collected Poems.

Tuesday, September 1, 2015

Ode to an Achilles Heel

The perfect masculine aesthetic:
6'2" eyes of blue
strong silent
type. Good
with mechanical device
or in the wild.

I was enthralled. Sybaritic.
I thought it was you
wrong spent
hype. Good
between my sheets
or in the wild.

Our first touch--synesthetic.
Dreamt in shades of blue
taste bud bent
hue. Typed. Bad.
In your arms
home and so much sad.

Thursday, August 27, 2015

Afraid to Love

Afraid to Love

I turn away
and close my heart—
to the promise of love
that is luring.

For the past has taught
to not be caught,
in what is not
worth pursuing—

To never do
the things I've done
that once had led
to my undoing.

~ Lang Leav, Love & Misadventure

Tuesday, August 25, 2015

Something in the Way

O wild torrid consort, lurid breath of my beating breast,
Thou from whose unseen absence desire fled.
Lies cold, haunted like a ghost from our uncharted past.
I remember, afternoon sun bleeding gold, and hectic red,
Pushed and pulled, desire; refusal denied! O thou
Who chariotest to my dark wintry bed;
The winged perfection, the arrow, the blow.
Trumpet blast within its song a dirge, until
Trembling, motionless, I lie listening to
The clarion of the dreaming earth, and fill
Silent memory. Memorized perfection still.
Filled living, flesh and blood, smooth and frill:
Wild joyous which art moving everywhere;
Destroyer and preserver; hear, oh hear!



* In imitation of Shelley's “Ode to the West Wind.”

Tuesday, August 11, 2015

Writing a Love Poem

Sometimes it is a thing
you set out to do
walking--
the right of way
in some forgotten land.

Sometimes it is a thing
given--
mementos
one, two and three
and then the good-bye.

Today it is a thing
floating--
the motes of dust
in the space between us.

Tomorrow it is
released
an exhalation--
mantra or chant--
less than
yesterday, more
than tomorrow.

"You must do battle with Eros"

The Elements

By Alice Notley
 
You must do battle with Eros       I am
more worried about space, pressed for details
collapsed in chaos with my sword holding up the sky the
girl said. They cared not for love lying ever that they loved
But I your leader wounded in gender and bleeding
for Eros fought it away from my true beginning as now.

Always climbing that hill in several ways.
One goes past the Baptist Church and through the ugly
trees, houses I only visualize in dreams
you have no right to pursue me to my origins man
as bipolar as the one candidate, forgettable
as the other. We once lived in a postwar barracks blue
heated by a black stove of assumptions
Eros a youth admits no equal; Aphrodite the slut;
Chaos is whom I admire that keeps forgetting
love in favor of this terrible mixity I am
for example ... these poems. Out of the pre-beginning

a different beauty. They want you to confess
something like in church, that a man will
save you. But I am your leader savior and poet
I am your general out of the desert thee
most ardent void precursor of love
Eros approaches again not the man but quality
sculpted genitals arush with the words
of unreason: I will never die. Which I is I
if I can remain chaotic I’ll tell you who you are

that you’ve never anticipated, but know
the only one. Without a thing. To be is not
to have; nor to belong; nor to have been born.
You are not the child of earth. Beauty still thy name.

Sunday, August 2, 2015

Summer Rain

Summer Rain

Amy Lowell, 1874 - 1925

All night our room was outer-walled with rain.
Drops fell and flattened on the tin roof,
And rang like little disks of metal.
Ping!—Ping!—and there was not a pin-point of silence between
    them.
The rain rattled and clashed,
And the slats of the shutters danced and glittered.
But to me the darkness was red-gold and crocus-colored
With your brightness,
And the words you whispered to me
Sprang up and flamed—orange torches against the rain.
Torches against the wall of cool, silver rain!

Wednesday, July 29, 2015

Nothing Cuts Like Love

Love
by Radmila Lazić

I sharpened knives
All night.
To welcome you
In the brilliance of their blades,
And among them,
My love sparkles
For your eyes only.


Radmila Lazic, born in 1949, is one of the best living Serbian poets. She is the author of six collections of poetry, for which she received several literary prizes. She has published numerous essays on literature and is the editor of an anthology of women's poetry and another of anti-war letters, and the founder and editor of the journal Profemina. Wake for the Living is the first translation of her poetry into English.
 

The Nails 
by W.S. Merwin

I gave you sorrow to hang on your wall
Like a calendar in one color.
I wear a torn place on my sleeve.
It isn't as simple as that.
 
Between no place of mine and no place of yours
You'd have thought I'd know the way by now
Just from thinking it over.
Oh I know
I've no excuse to be stuck here turning
Like a mirror on a string,
Except it's hardly credible how
It all keeps changing.
Loss has a wider choice of directions
Than the other thing.
 
As if I had a system
I shuffle among the lies
Turning them over, if only
I could be sure what I'd lost.
I uncover my footprints, I
Poke them till the eyes open.
They don't recall what it looked like.
When was I using it last?
Was it like a ring or a light
Or the autumn pond
Which chokes and glitters but
Grows colder?
It could be all in the mind.  Anyway
Nothing seems to bring it back to me.
 
And I've been to see
Your hands as trees borne away on a flood,
The same film over and over,
And an old one at that, shattering its account
To the last of the digits, and nothing
And the blank end.
 
The lightning has shown me the scars of the future.
 
I've had a long look at someone
Alone like a key in a lock
Without what it takes to turn.
 
It isn't as simple as that.
 
Winter will think back to your lit harvest
For which there is no help, and the seed
Of eloquence will open its wings
When you are gone.
But at this moment
When the nails are kissing the fingers good-bye
And my only
Chance is bleeding from me,
When my one chance is bleeding,
For speaking either truth or comfort
I have no more tongue than a wound.
 
 
W. S. Merwin, The Second Four Books of Poems: The Moving Target The Lice The Carriers of Ladders Writings to an Unfinished Accompaniment (Copper Canyon Press, 1993)